619 LOUISIANA AVE, SHREVEPORT, LA 71101
P: 318-226-1481 BOX OFFICE: 318-226-8555

Technical

This information is available as a PDF file for download and reference – Technical Specification Download

Any Questions about Technical Information please contact

Brandy Bell: brandy@thestrandtheatre.com

 

I. HOUSE CAPACITIES

Orchestra 824
Lower Boxes 24
Loge 124
Mid Balcony 294
Upper Balcony 250
Upper Boxes 20
  TOTAL 1,536

 

II. STAGE DIMENSIONS

  • Proscenium Opening – Width 43′ 4″, Height 27′
  • Curtain line to rear wall -32′ 6″
  • Curtain line to front of apron – 4′ 6″ (at center line)
  • Wall to wall – 77′ 6″
  • Wings – SR 19′ – SL 14′

 

III. MISCELLANEOUS DIMENSIONS

  • Grid to stage floor – 63′ 6″
  • FOH to curtain line – 89′ 7″
  • Light shelves to curtain line – 43′ 8″
  • Projection Booth to curtain line – 112′ 8″

 

IV. FLY SYSTEM

  • Single Purchase operated from SL – 35 sets
  • Length of battens – 52′
  • Maximum flying height: Pin rail floor height 25′, Grand Drape operates from SL (fly only)

 

V. HYDRAULIC ORCHESTRA PIT

  • Lift portion of pit DS to US 10′ (at center)
  • Depth DS to US 16′ 7′ (at center)
  • Width SR to S 37′ 6″
  • Accommodates approximately forty (40) musicians.

 

VI. LOADING AREAS

  • Located in alley behind theatre feeds onto USR
  • Door dimensions 8’W x 10’H
  • Height from ground 3′

 

VII. GOODS (ALL BLACK)

  • 1 – Drop 56′ W x 30′ H Flat
  • 2 – Portal Legs 17′ W x 30′ H Flat
  • 6 – Legs 13′ W x 30′ H Flat
  • 3 – Borders 53′ W x 10′ H Flat
  • 2 – Tab arms 8′ 6″ W x 30′ H Flat
  • 2 – Panels 40′ W x 30 H Flat
  • 1 – Black Scrim 54′ W x 28′ H
  • 1 – Bounce drop for Scrims

 

VIII. DRESSING ROOMS

  • 2 – Private with complete bath facilities
  • 2 – Dressing only w/o bath facilities
    • Will accommodate four (4) each
    • Complete bath facilities adjacent.
  • 3 – Chorus with bath facilities will accommodate 14, 12, and 4.

 

XI. ELECTRICAL AND LIGHTING

 

Road Switches

  • 2 – 400 Amps 3 Phase located USR

Lighting System

ETC Ion 2000 Lighting Console

  •  1×20 Fader Wing
  •   2×20 Fader Wing
  •  Elo 22″ Industrial Widescreen Touch Monitors
  • Operates from booth in rear of house
  • 6’ X 7’ booth
  • Lighting Circuits shown on hanging plot

Lighting Instruments inventory:

  • 20- Source 4 10 degree (FOH)
  • 4 – IKL6″ 20 degrees/40 degrees Zooms IK wt
  • 2 – 6 x 16 750 wt
  • 21 – 6 x 12 750 wt
  • 18 – 6 x 9 750 wt
  • 12 – 6″ Fresnels 750 wt
  • 21 – 8″ Fresnels IK wt
  • 6 – 6′ 4 Circuits strips 300 wt
  • 7 – Source 4 26 degree

Follow Spots:

  • 2 – Colortran Color Arc 2000
  • Ample cables, jumpers, twofers, quad-boxes, etc. for electrical distribution.

 

X. SOUND

 

1-150 Amp, 3-Ph-Y, disconnect under stage right (basement)

Top-Of-House Electronics:

    • Midas M32 40-Channel Digital Mixing Console (32 Mic Inputs/ 8 Aux Inputs)
    • BSS Audio Soundweb London BLU-100 Signal Processor (Main System Processor w/ BLU-BOB2 Expander)
    • TASCAM CD-RW901MKII Professional CD Recorder/Player w/ wired remote
    • 32-channel snake system w/ Jensen Transformer Isolation

Main Cluster

  • JBL 4518 Subwoofers (2 ea)
  • JBL 4508 Midrange Enclosures (4 ea)
  • JBL 2386 HF Horns w/ 2445 Drivers (6 ea)
  • Yamaha P-Series Power Amplifiers
  • QSC Power Amplifiers
  • Processing via BSS Audio Soundweb London BLU-100

Stereo Stacks:

  • JBL SRX738 Full-range Enclosures (4 ea)
  • JBL SRX728S Subwoofers (2 ea)
  • BSS FDS-336 Omnidrive Processor (JBL Proprietary)
  • QSC Power Amplifiers

Stage Monitors:

  • JBL 632 Side-fill Monitors (2 ea)
  • JBL 631 Wedge Monitors (4 ea)

Microphones & Direct Boxes:

  • Beyer Dynamic M69 Dynamic Microphones (12)
  • Crown PCC-160 Stage-floor Boundary Zone Microphone (5)
  • Shure EZG/18 Easyflex Gooseneck Microphones (2)
  • Passive Direct Boxes (4 ea)

Headset Communications Package:

  • Production Intercom 2-channel Base station
  • 7 Beltpacks & Headsets (Assorted)
  • Touring Production: 4-channel Intercom “Dry Lines” from Stage Left & Stage Right to Spotlights

Processed System Feeds to Theatre (Soundweb London):

  • Dedicated Stage Manager Mic to Dressing Rooms (also at FOH)
  • Audio feeds from Top-Of-House Console to Lobby, Upper & Lower Balconies, Dressing Rooms, Hearing Impaired, Main Cluster, House Speaker Stacks, & Spots.

Front-Of-House Mix Location:

  • Orchestra level, open mixing booth 14’11” x 7’ for production consoles (200’ audio snake required)
  • Audio input panel to route eight (8) audio feeds to Strand sound system
  • Stage Manager input to dressing rooms
  • DVD Audio (stereo) to Top-Of-House electronics
  • Video input to in-house IKEA projector (Extron BNC-5 Interface)

 

XI. MISCELLANEOUS EQUIPMENT

  • Lectern
  • Tables
  • Chairs
  • 20 – Risers 2′ D x 8′ W x 15″ or 30 ” H
  • 23 – Music Stands with lights
  • 1 – Conductors stand
  • 2 – Washer & Dryer (when wardrobe attendant is on call)

 

XII. BATTEN ASSIGNMENT   Arbor Capacity 1,240lbs

FROM PLASTER LINE LINE MAX HT DESCRIPTION
1’5″ 1 58’9″  
1’11” 2 58’9″  
2’4″ 3 58’9″ Legs
3’4″ 4 54’10” #1 Electric (24 Circuits)
4’6″ 5 58’9″  
5’6″ 6 58’9″  
6’0″ 7 58’9″  
7’0″ 8 58’9″  
7’6″ 9 58’9″  
8’0″ 10 54’10”  
8’6″ 11 58’9″ Border
9’0″ 12 58’9″ Legs
10’6″ 13 58’9″  
11’0″ 14 54’10” #2 Electric (24 Circuits)
12’0″ 15 58’9″  
13’0″ 16 58’9″  
15’0″ 17 58’9″  
16’0″ 18 55’9″ Mid-Stage Black
16’6″ 19 58’9″ Boarder
17’0″ 20 58’9″ Legs
17’6″ 21 58’9″  
18’6″ 22 54’10” #3 Electric (24 Circuits)
19’6″ 23 58’9″  
20’6″ 24 58’9″  
21’6″ 25 58’9″  
22’6″ 26 55’9″ Border
24’0″ 27 58’9″ Legs
25’6″ 28 54’10” #4 Electric (24 Circuits)
26’0″ 29 58’9″  
27’0″ 30 58’9″  
28’0″ 31 58’9″ Legs
29’6″ 32 55’9″  
30’6″ 33 58’9″ Black Scrim
31’0″ 34 58’9″ Reflector
31’6″ 35 58’9″ Full Black